Chapter 1
The Job
Fabian Silva took the call at 9:14 because he was already awake. The dryers under his floor were running their nightly shift — thump, thump, thump — and the apartment over Mama Lou’s smelled, as it always smelled at that hour, like dryer steam and reheated coffee and the saint candle his mother had lit on his counter the last time she visited, which had three days of wax left and a great many expectations.
He looked at the screen. Number unknown.
He let it ring twice. Then he answered.
“Mr. Silva.” A woman’s voice, courteous, accentless as money tends to be accentless. “Vivian Sloane. I represent the Hart Group. I’d like to buy you a drink.”
“I don’t drink with strangers,” Fabian said.
“Then have a sparkling water with one. The Belmont. Ten o’clock.”
“What’s it about?”
“A favor I’d like to overpay you for. Wear a clean shirt.”
She hung up before he could decide whether to say no.
He stood in his kitchen. Looked at the candle. Looked at his stove, where the kettle had begun to scream and he had forgotten about the kettle. He took it off the burner. The screaming stopped. Beneath the floor the dryers continued, untroubled by anything he did.
His phone buzzed.
Mara: don’t call Mama for a few days. love you.
He read it three times. Love you at the end was a wrong note. Mara signed off with the cat emoji or with nothing. Love you meant Mara had something to soften, and the only thing Mara ever softened was bad news.
He texted: where r u.
No answer. He waited. Watched the typing dots flicker on. Flicker off. Stay off.
He put on a clean shirt.
The Belmont’s bar was older than its hotel, which was older than the city’s pretensions. White marble that had come in by ship in 1904 and remembered it. Small green lamps. A pianist who was too good for his rotation, treating the room to a Bill Evans tune as if to forgive it for not paying attention.
Fabian came in through the lobby because nothing in the world looked less suspicious than a customer arriving by the front door, hands visible, eyes on the maître d’.
He clocked the room before the maître d’ clocked him.
Two regulars at the bar — one drunk, one pretending. A couple at corner table four either having an affair or auditioning for one. The bartender’s apron was clean. The pianist had a half-empty water glass on the corner of the lid, which meant nobody at the bar mattered enough to make him put on a face.
She was at table seven. The seat that watched the door.
Cashmere the color of expensive sand. Pearls the size of sensible decisions. Hair cut to the millimeter she had decided it should be cut to. She had ordered her sparkling water already, and the lime was an exact wedge — cut by her, he thought, not the bartender, because the bartender cut his limes lazy.
She did not stand. She looked up from a phone she was not reading and gave him a polite, attentive face she had been holding for four minutes and was going to forgive him for two of them.
“Mr. Silva.”
“Mrs. Sloane.”
“Miss.” She gestured at the seat across from her. “Sit, please.”
He sat. The chair was leather and heavier than the room expected, and it cost him a small adjustment of weight to scoot in. She watched him do it and offered no smile.
“You found us.”
“You said the Belmont. There’s only one.”
“I appreciate efficiency.”
The waiter came. Fabian asked for a club soda. Vivian had not finished her sparkling water and wanted nothing else.
When the waiter was gone, she did not waste a beat.
“I have a job that requires real competence and an unusual amount of restraint. Both of which, I am told, you possess and have lately been declining to use.”
“Told by whom.”
“It’s not a room I name names in.” She slid a folder across the marble. Slim. Cream stock. No label. The motion was practiced; she’d done it before, at this table.
He did not open it.
“I’d rather hear it from you first.”
“Of course.” She folded her hands. They were beautiful in a dispassionate way — long fingers, plain wedding-band finger empty, one ring on the right with a stone he could not name and would not insult by guessing. “Lila Hart is my client’s daughter. Victor Hart’s daughter — you may have heard of her father, who died three years ago and was not someone you needed to like in order to grieve. Lila has been, since his death, what we will call irregular.”
“Irregular.”
“She comes and goes. She gives money to people whose names she does not learn. She acquires acquaintances faster than anyone can vet them. She has, of late, been living a life that suggests either that she is being defrauded by someone close to her, or that she is herself defrauding her family. I’d like to know which.”
“You can’t ask her.”
“I can. I have. The answers are theatrical.”
He thought about that word — theatrical — and filed it.
“What do you want from me.”
“To watch. To log. Not to approach. Not to engage. We don’t want you in her life. We want her life on paper. Twice-weekly written reports, photographs where appropriate, no recordings without my written consent, no contact under any circumstances. Six months. After that we reassess.”
“Why not your firm. You have a firm.”
“We have several,” she said pleasantly. “The trouble with firms is that firms talk to each other. We don’t want our concern to enter the bloodstream of professionalized rumor.” She paused. “We chose you precisely because you aren’t them.”
Inside his shirt he felt the small professional hum he always felt when someone said we chose you — the hum of being one of two or three names on a list someone had thought about. It was either flattering or it was the moment in the meeting to get up and leave. He was not yet sure which.
He opened the folder.
A single photograph. Heavy, glossy paper, recent. A woman in a yellow coat over a sundress, mid-laugh, head turned partly away from the lens, one hand lifted as if to call back something she had said. The yellow was wrong for the heat in the picture; you could see the heat in the picture. Saint Beaumont in early September made itself visible on her skin, her collarbones, the hairline at her temple where one curl had given up and gone its own direction.
Below the photograph: a single sheet, double-spaced, twelve names with relationships annotated.
Below that: a number. The fee.
He read it. He read it a second time the same way he had read Mara’s text. Then he set the folder closed again on the marble and kept his hand on it.
It was enough money to clear every line with Mara’s name on it. It was enough money to put his mother in a real bed. It was enough money to leave the Belmont as someone different than he had been when he sat down.
“Half on signature,” Vivian said, without being asked. “Half on completion. Reports every Monday and Thursday by eight a.m. via the email I will give you.”
“Six months.”
“Six months.”
“And if she does what she’s going to do in week three.”
“Then we will have a very short engagement and a very generous bonus.”
He looked at her face. He had spent enough years watching faces for a living to know the difference between faces that told you something and faces telling you they would not. Vivian Sloane’s face was the second sort, and the privacy of it was not personal — it was the face she had practiced into a working tool, like other people practiced a handshake. Her courtesy was the same. It was a tool. He wondered how she handled it when it wasn’t working, and concluded she had not had much occasion to find out.
“One question,” he said.
“Of course.”
“How did you find me.”
“By asking the people who would know.”
“And how do you know I’ll keep my mouth shut.”
She held the silence longer than someone less experienced would have. Then she said, quietly, “Because you have a sister, Mr. Silva, and you understand that mouths and sisters are a poor combination.”
He had not told her about Mara.
His face stayed where it was. Inside his shirt the small professional hum went a different color — closer to a body’s preparation than to an idea — and he sat with it and let it pass through him. Then he picked up the pen she had laid beside the folder while he was looking at the photograph. He had not seen her put it down. That was a separate problem he would consider later. He signed.
He was telling himself, even as the pen moved, that watching was not violence. He had a list of things that were not violence, and watching was at the top of it. Listening was not violence. Logging was not violence. Photographing was not violence. Putting twice-weekly information about a woman in a yellow coat into the hands of a woman in cashmere was not violence. He had built an entire life around things that were not violence, and he had built it carefully, and it was a perfectly good life if you did not insist on looking at the joinery.
It was a lie. He knew it was a lie at the moment he told it to himself. He told it anyway. That, too, would be a separate problem he would consider later.
“Welcome to the Hart Group, Mr. Silva,” Vivian Sloane said. She slid a card across the marble. Email address. Nothing else. “We’re glad to have you.”
He left through the lobby because he had come in through the lobby, and consistency was a small grace.
Outside the Belmont the night had thickened. The river was running its slow brown muscle a block to the west; he could smell it under the magnolia and the smoker outside the kitchen door. A jasmine somewhere was confused about the season and committing to it anyway.
He got to the corner and, because his old wiring was always going to be his old wiring no matter how many candles his mother lit, he glanced back at the bar window.
The bar window was lit. Vivian Sloane was still in her seat. She had not moved.
She was looking at him.
Through the tinted glass. From a table he had been told was an accident of seating and now suspected was not. She was looking at him as if he were a piece of work she had just finished. When their eyes met, she let them stay met. She did not bother arranging her face for the audience of having been caught.
Fabian stood on the corner of Battery and Lafayette for as long as it took the streetlight to cycle once. Then he put his hands in his pockets, because he could not think of a more honest place for them, and walked the long way home.